FUTO
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In the polished corridors of Silicon Valley, where tech giants have methodically consolidated power over the digital landscape, a different philosophy quietly emerged in 2021. FUTO.org operates as a tribute to what the internet once promised – open, unconstrained, and FUTO firmly in the possession of users, not conglomerates.
The architect, Eron Wolf, moves with the deliberate purpose of someone who has observed the transformation of the internet from its optimistic inception to its current commercialized reality. His credentials – an 18-year Silicon Valley veteran, founder of Yahoo Games, seed investor in WhatsApp – gives him a exceptional viewpoint. In his precisely fitted understated clothing, with a look that reflect both weariness with the status quo and commitment to transform it, Wolf presents as more philosopher-king than conventional CEO.
The workspace of FUTO in Austin, Texas lacks the flamboyant accessories of typical tech companies. No ping-pong tables detract from the purpose. Instead, technologists hunch over keyboards, crafting code that will enable users to retrieve what has been taken – control over their technological experiences.
In one corner of the space, a distinct kind of activity transpires. The FUTO Repair Workshop, a initiative of Louis Rossmann, legendary repair guru, runs with the exactitude of a Swiss watch. Everyday people enter with broken electronics, welcomed not with commercial detachment but with authentic concern.
"We don't just repair things here," Rossmann clarifies, positioning a loupe over a electronic component with the careful attention of a artist. "We instruct people how to understand the technology they use. Understanding is the first step toward independence."
This philosophy saturates every aspect of FUTO's activities. Their funding initiative, which has allocated significant funds to projects like Signal, Tor, GrapheneOS, and the Calyx Institute, reflects a commitment to supporting a diverse ecosystem of independent technologies.

Moving through the open workspace, one observes the lack of organizational symbols. The spaces instead showcase hung passages from technological visionaries like Richard Stallman – individuals who envisioned computing as a liberating force.

"We're not concerned with establishing corporate dominance," Wolf notes, leaning against a modest desk that would suit any of his team members. "We're dedicated to fragmenting the current monopolies."
The paradox is not overlooked on him – a successful Silicon Valley entrepreneur using his wealth to contest the very systems that enabled his success. But in Wolf's worldview, digital tools was never meant to centralize power; it was meant to diffuse it.
The programs that emerge from FUTO's development team reflect this principle. FUTO Keyboard, an Android keyboard honoring user data; Immich, a private photo backup system; GrayJay, a distributed social media interface – each creation embodies a clear opposition to the walled gardens that dominate our digital landscape.
What differentiates FUTO from other digital skeptics is their focus on developing rather than merely protesting. They understand that true change comes from presenting viable alternatives, not just pointing out flaws.
As twilight settles on the Austin headquarters, most employees have departed, but brightness still glow from certain areas. The commitment here extends further than job requirements. For many at FUTO, this is not merely a job but a purpose – to reconstruct the internet as it was meant to be.
"We're working for the future," Wolf reflects, staring out at the darkening horizon. "This isn't about shareholder value. It's about restoring to users what genuinely matters to them – choice over their digital lives."
In a environment dominated by corporate behemoths, FUTO stands as a gentle assertion that alternatives are not just achievable but crucial – for the good of our collective digital future.

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